Otherwise than Being, or Beyond Essence, first published in 1974, is the second of Levinas's mature philosophical works, the first being Totality and Infinity (first published in 1961). Otherwise than Being is essentially the sequel to Totality and Infinity, further elaborating the rich and comprehensive philosophy of ethical metaphysics that Levinas had introduced in the earli...(展开全部)

Otherwise than Being, or Beyond Essence, first published in 1974, is the second of Levinas's mature philosophical works, the first being Totality and Infinity (first published in 1961). Otherwise than Being is essentially the sequel to Totality and Infinity, further elaborating the rich and comprehensive philosophy of ethical metaphysics that Levinas had introduced in the earli...(展开全部)

Relational Being first builds on the broad discontent with the individualist tradition in which the rational agent, or autonomous self, is considered the fundamental atom of social life. Speaking to scholars and social practitioners, the work sets out to develop and illustrate a far more radical and potentially exciting landscape of relational thought and practice. It carves ou...(展开全部)

This book builds on two current developments in psychology scholarship and practice. The first centers on broad discontent with the individualist tradition in which the rational agent, or autonomous self, is considered the fundamental atom of social life. Critique of individualism spring not only from psychologists working in the academy, but also from communities of therapy an...(展开全部)

The book argues for a shift of orientation in architectural thought, from what the building is to what it does; it also shows that the workings or the reality of the individual work (the room, building, garden, or landscape) cannot be understood apart its wider milieu, the environment in which it finds orientation. We tend to think of buildings as rather static or inert objects...(展开全部)

The book argues for a shift of orientation in architectural thought, from what the building is to what it does; it also shows that the workings or the reality of the individual work (the room, building, garden, or landscape) cannot be understood apart its wider milieu, the environment in which it finds orientation. We tend to think of buildings as rather static or inert objects...(展开全部)